COLOUR GRADING
Colour Grading Service
(Local & Remote)
✽ Pre-Production
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Display LUT Design
Custom looks tailored for your camera/multi-cam setup (or LMTs for ARRI) to pre-visualize the look of the film on set.
Developed in close collaboration with the DP through camera and lighting tests, this service is ideal for projects requiring a specific, defined aesthetic for the film.
✽ Production
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Dailies & CDLs
Daily CDLs for editors, ensuring a correct and consistent visual representation of the look through the rough cut process. This ensures a consistent mood across the film, supporting the director during the editing and providing a visual base for sound dept.
✽ Post-Production
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Color Grading
High-end, crafted color grading in any style—vintage, natural, bold, commercial, and beyond. -
Workflow
Efficient management and troubleshooting of the image pipeline for efficient file exchange between editing, VFX, and color grading. -
Deliveries
A robust Master file for global distribution, alongside archival deliverables for future use. -
SDR vs HDR
All projects are graded in SDR by default, ensuring compatibility across all platforms. HDR grading is only available upon request, provided the production can meet the necessary technical conditions.
Before & After Stills
Note: The quality of the final result depends on the quality of the source materiel.
Les Évadés de Tindouf
Feature Film, Dir. Abdelhak Najib
The Stage of Fear
Short Film, Dir. Mansour Mellali
Bro
Feature Film, Dir. Mansour Mellali
Letters to Her
Short Documentary Film, Dir. Mi Mi Kyaw Lwin
Ombre de l'âme
Short Film, Dir. Houssein El Malki
État des lieux
Short Film, Dir. Noé Clément
